Kirra Voller One Frequency Festival

How community broadcasters have found their festival feet - 8CCC

Joshua Cole, 7th June 2023
Print

8CCC in Alice Springs is a new entrant to the festival space and will launch its One Frequency Festival this year on 17 – 18 June. The station is no stranger to live music events though, having created a social enterprise based around event production with live music as a focus. 

With 12 casual staff developing their skills in audio-visual production it has become a key provider for live music events in public spaces. Station Manager Benjamin Erin said that this has helped create a pipeline for artists to connect with community radio. 

“The beauty of that being that we’re often running the stages that local musicians are playing on, and then they get to see and know the station and they’ll be on the next week for an interview.”  

Mr Erin said the journey to launching One Frequency begun in 2017, both when he joined the station and when 8CCC launched an event called Transmission. The free event saw over 600 people attend, with more than 40 signing up to become members and many more buying merchandise, which helped to fund the station’s replacement of a much-needed mixing desk.

Transmission would be the seed for the two-day format planned for One Frequency Festival. A core part of that format - keeping admission free for attendees while paying performers and those working behind the scenes - is a goal for One Frequency, which has been helped greatly by funding from Live Music Australia. 

The event’s name is a reference to the station’s vision of ‘Many Voices One Frequency’, and Mr Erin says that living up to that vision will be the benchmark for success for the festival.  

“That statement is core to how we operate in our on-air activities, in that we want to be inclusive and representative and have a diversity of voices on our platform.”  

Ensuring that First Nations people are included is a key part of doing so, with artists and technicians from remote communities to be involved alongside locals. 

This will be key in helping to show a more positive side to Alice Springs as a region, which Mr Erin says been treated like a political football and suffers from a public perception that doesn’t match locals’ lived experience of a vibrant, dynamic and healthy community. 

The other broadcasters we spoke to in this series - RTRFM and 4MBS -  also shared this passion for showcasing local musicians and communities. Of course, they encountered a range of obstacles along the way. Some of these obstacles, like funding, can be addressed with support from government and other organisations. Others require innovation and a willingness to adapt to changing audience tastes while maintaining their legacies. 

But there's good news: RTRFM and 4MBS have managed to strike a balance between innovation and sustainability, refining their formulas over time. And while 8CCC may be new to the festival scene, their experience producing live music events gives us hope that they'll find their festival footing with ease.

Facebook comments

Related

Article

In this installment of our series on community broadcasters that organise music festivals we spoke to Queensland station 4MBS on their Festival of Classics, now in its 30th year. It has grown massively since its inception, from a single weekend to a format that now spans a month.

Article

A new nation-wide collaborative community radio series exploring Australian Contemporary Classical Music.

Article

Small stations, especially those in regional, rural and remote areas, know intimately the challenges of running a community station — both financially and in terms of engaging their audience. However when new trials arise, these stations also exercise great flexibility and find highly inventive ways in which to move forward.